BAYC 5511

“Everyone benefits when the smaller artists are nurtured. It will not rescind healthy competition, but will help create a forceful creative and economic environment.”

At some point, Web3 is going to be flooded with artists looking to make a buck with their work. When this happens, curation is going to be crucial. It does not benefit the greater NFT landscape if the same recognized and established artists are continuously showcased. It might benefit these artists, but we need to be mindful of the impact it has on the collective space. There are many exceedingly talented rookies that have the potential to thrive and perhaps even follow in the footsteps of XCOPY, Beeple, or Fewocious.

Everyone benefits when the smaller artists are nurtured. It will not rescind healthy competition, but will help create a forceful creative and economic environment. Despite being burdened with superfluous criticism, NFT art is not going to go away. In fact, it is going to prosper. The space has already developed to a point of no return. It is filled with artists and collectors that will remain devoted regardless of the ferocity of the ebb and flow. That’s one of the indicators and tipping points for mass adoption, too.

Before long, NFT art will become just another subsection of art – the medium will become inconsequential. Just as PDF documents are to digital files. The sooner any redundant labels are removed, the sooner mass adoption can materialize. The process can be expedited through solid education and increased awareness surrounding the potential and possible pitfalls of Web3 in general.

As an NFT consultant and collector, BAYC 5511 has amassed a 20k-strong following on Twitter alongside a slew of support from their peers. When not working towards the betterment of the NFT space, BAYC 5511 is an ardent hobbyist who busies themselves with everything from making music to collecting and repairing classic cars and analog synthesizers.